Opening night of Protean a huge success!

Anne with (left to right) Megan, Lynda, Lisa, Fiona and Lena on opening night at Protean
Anne with (left to right) Megan, Lynda, Lisa, Fiona and Lena on opening night at Protean

Well it’s now been nine days later after opening night on Friday 3 July 2015 and I’m still on a high as our group exhibition Protean by 19 members from Claybodies Ceramics Group has been a huge success.

So many wonderful people braved 5 degrees and Canberra’s coldest night to date to support our opening. We were all in a state of shock as you could barely move.

Opening night before the masses descended...
Opening night before the masses descended…

But, the excitement and buzzing in the room was fantastic and everyone later said it felt like good vibes and happy people! We think more than 200 visitors attended and stayed till closing.

Niki and I talking about my new works. Note: she is wearing one of my graduating pendants she purchased. Aw, shucks!
Niki and I talking about my new works. Note: she is wearing one of my graduating pendants she purchased. Aw, shucks!

Sales kept our artists busy and catalogues flew out the door. Well at $8 for a beautifully designed book, we are not surprised!

Our group worked really hard to bring this exhibition to fruition as early as August last year. Meetings were held monthly and hotted up from February this year as it became apparent we had a lot of work to coordinate and delegate. Works were discussed with our Curator, Mark Van Veen, former CMAG curator and he provide guidance on selecting 1-3 works each and teaching us the essence of contemplating fewer objects rather than en mass. He also helped with sizing of plinths as we had to make our own plinths. This is rare as most galleries supply them but Nishi Gallery don’t have storage room.

So, my husband Adam spent many weekends and week nights custom making 17 plinths. Our garage became a mountain of boxes until a group of women descended with paint rollers in hand! It was such a great day as rollers went swishing and the boxes started to resemble art gallery plinths.

Adam in his garage with a few plinths...
Adam in his garage with a few plinths…

We also engaged a photographer, artist statement workshop and designer to pull together a stunning catalogue to showcase our works. All of this was purely funded by the artists. No financial assistance was received by local or state government. You wouldn’t want to know how much it cost…but we all truly believe in our practice and that ceramics is a truly wonderful art form that deserves prominence.

So, what work do I have this time? I’ve created a new body of work based on the domestic sparrow. Here is my artist statement in the catalogue:

Dull and brown, flittering in shadows, domestic
Poor little sparrow you are invisible
But I can change that
Porcelain and light, patterns piercing you
Delicate, white and now seen

A few photos from the exhibition which runs till 19 July 2015. Get in quick as works are selling fast! Also check out The Canberra Times and Sydney Morning Herald for a wonderful arts review by Kerry Anne Cousins.

Selfie of Domestic Sparrow series on catalogue and in-situ
Selfie of Domestic Sparrow series on catalogue and in-situ
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Fran, Anne and Linda in the local Canberra Weekly

Why do all good things come to an end?

This is name of one of my favourite songs and yet it’s all about a breakup between lovers. I love the lyrics and Nelly’s sweet sounds.

So, how does that relate to my exhibition? Two weeks ago, we bumped out of Strathnairn. It was very quick. In less than 2 hrs we all packed up our artworks, labelled the ones that had sold, put a thank you pack with each sold piece and before I knew it I was heading to my friends place to help her with her Kickstarter project.

It’s the strangest feeling when an exhibition comes to an end. Hence the song resonates with that mixed feeling of relief and a tinge of sadness.

You’ve spent months creating, making and stressing about the works and hoping all goes well on opening night. I think we (as in the artists) all dream the night before ‘did I stick that bowl down…will it fall off the wall…should I have made more?’ – quite silly thoughts but artists are constantly assessing, reassessing and wondering how will their works be received? And yet, none of that worry was really needed. We did really well and I thought I’d put up our reviews that appeared in The Canberra Times and The Sydney Morning Herald along with my interview with ABC Radio 666.

Interesting works from Claybodies ceramic artist group

666 ABC Canberra by Louise Maher

To listen to the interview: click here

We’ve had an amazing couple of weeks with our publicity and I’m so grateful to have a community of journalists/photographers/bloggers who support us as best as they can. So, thank you to all those involved and supporting visual artists practice as professionals in the field they love most.

Oh! and if you want to listen to Nelly here she is: http://youtu.be/KEtkyFQxHuw